Obviously this cavernous list of gear is the top offering - unless you pay for the full Elite bundle, you’ll receive around half this amount from the Professional bundle, and fewer again if you opt for the Standard or Free versions. If you’ve never tried auditioning 20 delay pedals back to back, you’ll most certainly enjoy flicking through the list on offer here, ranging from straight digital delays through analogue-style, tape emulations, harmonised echoes, reversed delays…you get the point. There are vintage Fuzz Face emulations right through to an approximation of modern classics like the Z.Vex Fuzz Factory, while the EQ, Modulation, Delay and Reverb categories are as equally well-stocked. The overdrive section alone contains thirteen drive pedals ranging from Tube Screamers (both kinds) to a Klon. The sonic quality is there to match, too. If you’ve never tried auditioning 20 delay pedals back to back, you’ll most certainly enjoy flicking through the list on offer here But what we really like about the selection is that you’re by no means limited to the usual handful of ‘Tweed’, ‘Plexi’ ‘Treadplate’ models. Our review version of the app was the fully unlocked Elite version, giving us access to the entire arsenal of models and features, and if you were in any doubt, it’s vast.Īmp-wise, Bias has you covered for everything from the cleanest of cleans with models based on amps such as the Roland JC-120, right up to modern high-gain amps. When you’ve finished tweaking, you simply close the screen and you’re back to your main rig overview.
BIAS AMP 2 AMP MATCH PLUS
From here you get an enlarged view of the module you’re editing with easily-accessible controls for amps and pedals, plus the model finder drop-down menu allowing you to switch to different pedals or amps.
Making changes to your pedals and amp is as simple as double-tapping an existing pedal, or pressing the add or replace buttons if you’re starting from scratch.
Bias has you covered for everything from the cleanest of cleans with models based on amps such as the Roland JC-120, right up to modern high-gain amps
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